King Calaway – Midnight EP
King Calaway were a sextet who are now a quintet but is there a fanbase there for them?
On their new four-track EP, they want a lady to ‘get close to my locality’ on the fun Homegrown, which is very catchy and hooky and well produced. Heartbreaker is a slinky pop song with the same chorus as Hell of a Night by Dustin Lynch. More People is a plea to be kinder to one another (‘be the first to say sorry and strong enough to take the blame’) and it’s a pop song that Dan + Shay would have loved.
Lainey Wilson helps out on Good Time To Me, which was written by Charles Kelley and Russell Dickerson among others: we get Brooks & Dunn on a jukebox in the opening verse and the F-major chord running through it, with a neat ‘sounds like a good time to me’ post-chorus chant. I think the lyric is ‘music to my beers’ in the chorus itself, which is fun. This will be a great set opener if the band come over for Country2Country next year.
Manny Blu – Devil
2021 has brought five tracks, introduced in turn, now collected on the Devil EP: the party-starter Circle Up with amps cranked up and guitars a-buzzin; ‘dance with the devil, you might as well lead’ is a great lyric on a song with a descending chromatic riff that Aldean would kill to record; Train is poodle-rock in country clothing; and Valet is a ballad which takes the listener back to ‘a hotel rooftop reservation’, with the car left in the care of the valet in favour of a trip to the lady’s place. I’ll keep my ears open for the voice of Brittany Kennell.
The new track of the five is Rusty Things which, as with the other four, is also an outside write given to Manny who inhabits the song with a whisky-soaked croon. Here, his subject is a girl whose ‘heart takes a shine’ to rusted trucks and guitar strings and, of course, Manny himself.
Drake Milligan EP
A self-titled five-track set released on Broken Bow, you can tell the stamp of quality because Tony Brown is overseeing production. Drake is a Texan and you can tell from the first ten seconds of Over Drinkin’ Under Thinkin’, a honkytonk lament with fiddle and close harmony.
Don’t Look Down (‘just keep your eyes on me…We’re getting one two-step closer’) is a slow-dance in the George Strait tradition, while She is a ballad in the George Strait tradition: ‘I can’t believe she’s mine’ is the sentiment, and it sounds like a classic.
Kiss Goodbye All Night (GREAT title) is a sensational tempo tune in the tenor of Randy Rogers or Josh Abbott, with hints of Josh Turner; authentic is what it is. Terry McBride was in the room for Sounds Like Something I’d Do, a turbocharged rocker where Drake’s voice hits some low notes before bursting into a killer Garth/Brooks & Dunn-ish chorus. Remember the name: Drake Milligan.
Tyler Booth – Grab The Reins
Sony Music have introduced another bloke to a market which includes fellow Sony Music acts Ryan Hurd, Luke Combs, Chris Young, Willie Jones, Kane Brown, Adam Doleac, Niko Moon, Jameson Rodgers, Matt Stell and Kameron Marlowe. Let’s not saturate the market, chaps. Sony also own Brooks & Dunn and, indeed, I first heard Tyler sing on a Rebooted version of the song Lost and Found.
Tyler is from Kentucky, like Chris Stapleton, and also plays guitar, like Chris Stapleton. His voice is on the Toby Keith/Blake Shelton/Craig Morgan spectrum, with shades of Chris Stapleton, so if you like that tone then you’ll love Tyler’s croon. He showcases it on Drink It Up, which has a humongous melody and carpe diem lyrics: ‘Keep your family close cos you never know if you’re gonna get another round’ is a fine line written by, among others, the ubiquitous Ashley Gorley.
The EP also contains breakup song Ghost Town, where brushes stroke the drums to create a melancholy mood; heartache-laden blues Stone Cold High and Dry, which is basically Nobody To Blame in they key of B; Gone Done Did, also in the key of B and a fine segue thematically as well, since Tyler is ‘doggone brokenhearted’; and Already Got One, a love song where happily Tyler can head home from the bar to be with his beloved. There is a fine guitar solo.
Palomino Princess is a 100-percenter, with words and music by Tyler himself. ‘Saddle me up,’ he croons, ‘and we can ride the night away’. The instrumentation is superb, with real snare drums and some pedal steel, and there is so much passion in the vocal.
Sony probably want to pivot to old-style country music from before the bro era, but there’s no point in complaining when the music is this good. Kudos should go to Phil O’Donnell, go-to guy for the like of Aaron Watson, Mo Pitney and Craig Morgan, for adding sensitivity to the production and bringing out Tyler’s voice. I am a fan.